This year, 2024, marks the 100th anniversary of Surrealism. It’s been a full 100 years since poet and critic Andre Breton introduced Surrealism. Surrealism Manifesto. Not only that, it’s been a century since he co-founded the magazine with the Belgian Breton writer Paul Nouget. correspondence. EOnly one page of problems are practiced. A surrealist theory of experimentation, chance, and the subconscious mind.
To celebrate this double milestone, the organizers of Belgium’s largest and longest-running BRAFA art fair have selected tradition as the theme for its 69th edition, which will be held from January 28th at the cavernous Brussels Expo. He advocated an art movement that breaks through and explores dreams. Until February 4th.
Andre Breton Surrealism Manifesto (1924), first edition.brought to you by Lardanchet Library.
Many of the fair’s 132 exhibitors also operate with a surrealist theme, such as Paris-based gallery Librairie Lardanchet. Surrealism Manifesto, one of only 19 survivors. Additionally, Belgian surrealist Rene Magritte appears several times.His enigmatic 1928 painting Le Palais de Rideau is on display at the Galerie de la Belladiere’s booth, and his 1950 drawing legend of the century Presented by Geneva-based gallery De Jonckheere.
Giorgio de Chirico Ariana’s Piazza Italia (early 1950s). Exhibited at BRAFA’s Repetto Gallery.
Elsewhere, the Repetto Gallery is showing two works by Giorgio de Chirico. Piazza Italia and Ariana’s Piazza Italia—Each piece demonstrates the artist’s metaphysical approach to painting, with a dreamlike atmosphere and a combination of modern and classical elements.Léon Tutunjian’s drawings are on display at the Galerie Alexis Penchev in Marseille. This Armenian-French artist was a founding member of his Concrete art, which combines elements of Surrealism and Cubism, and emphasizes geometry and harmony.
leon tutundijian Untitled. By Galerie Alexis Penchev.
This year’s guest of honor is Paul Delvaux, another central figure in the surrealist world. Even if he only briefly joined the Surrealist movement. BRAFA invited the Paul Delvaux Foundation to present 15 paintings from its own collection and a private collection on loan to the artist’s museum in Saint-Idebalde, Belgium, near where he lived. Invited to exhibit. The works span from his 1930s to his 1960s, during which time he gained international popularity and attracted the attention of Andy Warhol, who immortalized his name in 1981 with a series of screen prints. did.
Belgian gallery Boon will exhibit Delvaux’s paintings La Ville Renaire (1944) Scheduled to be exhibited by Francis Maele Fine Arts Lete (1963), exhibited by Gallery Tamenaga La Tante Rouge (1966), and Geneva’s Opera Gallery honors the artist by exhibiting his 1968 masterpiece. La Fin du Voyage.
Opera Gallery booth at BRAFA 2024 (including works by Paul Delvaux) La Fin du Voyage (1968), left.Photo © Emmanuel Clouis
BRAFA also features contemporary artists who take a surrealist approach. Brussels gallery Rodolphe Janssen will exhibit new works by Sean Landers, Tom Pohlmans, Emily Mae Smith and Thomas Leroy, while Bernier/Elias Gallery will showcase works by Belgian artists known for subverting the contemporary. will exhibit works from various fields by former fashion designer Martin Margiela. Dressing up through deconstruction.
cornelis van cleve Marge’s worship. Provided by Galerie Florence de Voldaire, Paris.
On the Old Masters front, Madrid’s Nicolás Cortés Gallery, making its debut at BRAFA, brought in two portraits by Lavinia Fontana, a 16th-century Italian Mannerist artist widely known as Western Europe’s first female career artist. is. Galerie Florence de Voldère will also make its BRAFA debut. Marge’s worship A work by Cornelis van Kleve, a 16th century Belgian artist and son and student of Antwerp master Joos van Kleve.
See more from BRAFA Art Fair, Surrealism and more:
Fernand Leger Les Busches (1952). Provided by Roberta Busta Gallery, London.
Serge Poliakoff abstract composition (1960). Presented by Galerie des Modernes, Paris.
charles level Allegory of power and drawer (circa 1872). Provided by Segura Fine Art, France.
tom wesselman Small Still Life #4 (LGASL #4) (1962). Provided by Samuel Vanhoegaerden Gallery, Belgium.
Paul Delvaux summer (1963). Presented by Francis Mahele Fine Arts, Belgium.
A tapestry depicting a court scene in the south of the Netherlands, probably Brussels, in the early 16th century. Presented by De Wit Fine Tapestry from Belgium.
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