“House B” by Alfred Vannotti
In the picturesque Sassella vineyards of Valtellina, Italy, Alfred Vannotti The recently completed House B creates a harmonious dialogue between the architecture and its surroundings.of residence Elements such as granite topography, rows of vines, and the village of Castione are incorporated into a cohesive structure on a steep slope that blends seamlessly with the natural environment. The focus on materiality is evident in the orderly arrangement of larch pine boards that define the façade and courtyard. The design aims for a rhythmic interplay between solidity and openness, transparency and reflectivity, promoting connections between indoor and outdoor spaces. Strategically placed to blend in with the landscape, the villa incorporates visual cues from bell towers and ancient mountain huts into a beautiful backdrop. The architectural layout of the house is divided into his three distinct sections, with a designated square for the living area and a diagonally cut rectangle for the entrance and garage, creating a deep open courtyard. This orientation is consistent with the south-facing pool, maximizing panoramic views.
All images by Marcello Mariana
harmony with nature
Vannotti’s commitment to quality design is reflected in the arranged volumes that challenge 20th century orthodox functionalism. Casa B takes inspiration from the region’s architectural heritage and incorporates features found in rural villages, such as open courtyards, perimeter walls, and continuous board-clad residential volumes.meanwhile Mr. Vannotti The architecture reflects local influences and goes beyond mere revivalism. Rooted in the tradition of fine craftsmanship, his design language dissolves the modernist concept of “Less is More” into complex pieces that resonate with both local and international elements. The compositions revealed in Vannotti’s work reveal a unique identity that transcends the limits of Alpine architecture. At the same time, the influence of Mies van der Rohe is particularly evident in the treatment of the eave lines. Casa B doesn’t exactly adhere to this treatment, but there are subtle nods to the minimalist German master. The design team emphasizes that the house brings the collision of external forms into the interior, resulting in sculptural treatments such as open courtyards and hallways. These elements contribute to a dynamic perspective and enrich the spatial experience inside the house.
A rhythmic pattern of larch pine boards characterizes the facade and spacious courtyard.
Move fluidly between traditional and contemporary elements
More than just a residence, a casa functions as a holistic space for living, meditation and health, integrating common features with a deep connection to the landscape and the natural essence of the place. Balancing tradition and modernity, the residence is an immersive experience that recognizes the enduring collaboration between human intervention and the forces shaping Rhaetian vineyards. The team employs architectural elements such as open courtyards and corridors to absorb external tensions and enhance the internal spatial experience. According to the architects, the landscape is not just a backdrop, but an important part of the architectural story, combining the human craftsmanship seen in the vineyard’s construction with geological forces, including the erosive effects of glaciers. It is said to reflect the long-standing partnership between them. Casa B incorporates historic elements such as the 17th-century parish church bell tower, demonstrating a respectful approach to integrating new structures into a landscape of cultural and natural value.
Large windows create a seamless connection between indoors and outdoors.
A harmonious dialogue between architecture and its surroundings