Thursday, November 14, 2024

Italy’s Mittelfest will stage an international theatrical trilogy to celebrate the first cross-border European Capital of Culture in 2025

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The three plays that make up the “Inabili oor morte” trilogy, created to commemorate the Italian-Slovenian region being named European Capital of Culture in 2025, have been announced. Spanning six decades of European history, the theme of war and conflict and its impact on the borders of Central and Eastern Europe unites his three works. The first part of the trilogy, released in Italy in May this year, is an adaptation of Austrian author Josef Roth’s 1930s novel The Emperor’s Tomb, and tells the story of the Trotta family in post-World War I Vienna. From the struggle to the rise of the Nazi Party. The second and third plays are new works by Italian and Slovenian authors, the first set in Yugoslavia in the 1960s with the horrors surrounding the construction of the Berlin Wall, and ending in the 1990s with the novel in an optimistic mood following the construction of the Berlin Wall. I’m imagining how the theme would have progressed. collapse of the wall. The final two parts of the trilogy will be released in Slovenia in November and Italy in September 2025, respectively.

The project was devised by Giacomo Pedini, artistic director of Mittelfest and director of the two productions, and brings together institutions and artists from both countries to explore the region’s fascinating heritage and Europe’s historical and geographical We have selected works that reflect the experience of drastic change. . Gorizia was the only city in the Italian-Slovenian region under Austrian rule until the end of World War I and the dissolution of the Austro-Hungarian Empire. It then remained under Italian sovereignty and jurisdiction until 1945, when it was divided into two parts: one in Italy (Gorizia) and one in Yugoslavia (Nova Gorica). Today, people can freely cross borders and walk from one country to another.

The first of the three works, “La Cripta dei Cappuccini” (The Emperor’s Tomb), will be premiered on May 11th at the Teatro Giuseppe Verdi in Gorizia, Italy. Subsequently, in November 2024, “Cercando la lingua perduta” (In Search of a Lost Language) will be held at SNG Nova Gorica in Nova Gorica, Slovenia, and finally “L’alba dopo la Fine della storia” (Dawn of the End of History)” will be held. It will open in September 2025 at Teatro Giuseppe Verdi in Gorizia, Italy.

La crypta dei cappuccini (The Emperor’s Tomb), written and directed by Giacomo Pedini, is an adaptation by Jacopo Giacomoni of Joseph Roth’s 1938 novel of the same name. This novel is a sequel to his masterpiece “Radetzky March” and tells the story of the Trotta family, which experienced the decline of the Austro-Hungarian Empire in the 1850s through the Second Italian War of Independence and culminating in World War I. This is what I drew. Francesco, the most reckless of the Trotta family, struggles to find purpose in declining Viennese society while coming to terms with the devastating aftermath of World War I and the looming threat of the Nazi Party. Actor, comedian, director and writer Natalino Barrasso will play the role of Francesco, and original music commissioned by composer Cristian Carrara will be performed and recorded by the FVG Orchestra.

Cercando la lingua perduta (In Search of a Lost Language) is a new film by Slovenian writer and director Goran Vojnović. Set in the 1960s, the play explores the Iron Curtain that divided Europe amid a desire for escape and rebellion after World War II. Finally, Paolo di Paolo’s original work L’alba dopo la Fine della storia (Dawn of the End of History) is set in the 1990s after the fall of the Berlin Wall. The play opens the door to new international relations and questions the illusion of eternal peace and prosperity with seemingly unlimited access to wealth and success.

In September 2025, all three parts will be released as part of the cross-border cultural and artistic program “GO! 2025”, which aims to overcome the physical and cultural barriers between Nova Gorica, Slovenia and Gorizia, Italy. A play written by him will be performed. The three plays will also be developed as three radio dramas in Italian and Slovenian, co-produced by Rai Friuli Venezia Giulia with Rai Radio 3 and Radio Slovenia, from May 2024 to September 2025. It is scheduled to be broadcast until. Additionally, all three productions will feature music commissioned by Cristian Carrara. Each performance will be available for streaming on Spotify, and the three texts will be compiled into an anthology book published in Italian and Slovenian.

Giacomo Pedini, artistic director of Mittelfest, creator of the project and director of the two Italian productions, said: “The joint designation of Nova Gorica and Gorizia as European Capitals of Culture is a great honor for us. “This was a great opportunity for cross-border collaboration that showcases the history and traditions of Japan.” This trilogy of his reflects the overall purpose of GO! 2025 to give voice to the region’s mixed heritage, overcome physical and cultural barriers, and work toward a positive future. ”

Mittelfest produces an international and interdisciplinary festival of theatre, music, dance and circus, as a showcase of live entertainment in Italy and rooted in the territory of Cividale del Friuli in the region of Friuli Venezia Giulia. It is run as a cultural organization. Founded in 1991, the association stands at a time of new dialogue between Eastern and Western Europe and acts as a bridge between Italy and Central Europe. Today, Mittelfest promotes dialogue between 27 European countries through theatre, music and dance. Albania, Austria, Belarus, Belgium, Bosnia and Herzegovina, Bulgaria, Croatia, Estonia, Germany, Greece, Italy, Kosovo, Latvia, Lithuania, North Macedonia, Moldova, Montenegro, Netherlands, Poland, Czech Republic, Romania, Serbia, Slovakia, Slovenia, Switzerland, Ukraine, Hungary.

Slovenian National Theater Nova Gorica is a subsidized national theater in Slovenia and a member of the European Theater Council. The theater hosted the Gorica Congress (later the Alpe Adriatic Theater Congress), a small stage festival that had an important influence on the development and affirmation of theater in Slovenia and internationally. Nova Gorica’s position greatly influenced the theater’s repertoire and artistic direction. The theater’s repertoire consists of contemporary and classical plays, with an emphasis on openness to new research and experimentation. In 2004, the theater was declared a facility of national importance.




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